Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Alessandro Dimasi's 'Gianni Schicchi: Avete torto!... Firenze è come un albero fiorito' came out on April 18, 2017. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #18. Gianni Schicchi: Avete torto!... Firenze è come un albero fiorito is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: Avete torto!... Firenze è come un albero fiorito by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Alessandro Dimasi having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
The Godfather: II. The Immigrant (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | F♯ Minor | 1 | 11A | 87 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Il Barbiere di Siviglia: Ouverture | Gioachino Rossini, Ezio Bosso | E Minor | 2 | 9A | 87 BPM | ||
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Il pianinno delle meraviglie | Nicola Piovani | F Major | 3 | 7B | 100 BPM | ||
Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | ||
Prendimi | Giovanni Allevi | E Major | 3 | 12B | 143 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM |
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