Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra - Alexander Borodin, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek Information

Acousticness: 99%
Danceability: 26%
Energy: 30%
Instrumentalness: 1%
Liveness: 11%
Loudness: 83%
Speechiness: 4%
Valence: 4%
Popularity: 6%
Loudness: -10.21 dB

Summary

"Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra" by Alexander Borodin, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek was released on August 1, 2010. The duration of Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stuttgart State Opera Chorus, Lothar Zagrosek's "Great Opera Choirs" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra BPM

We consider the tempo marking of Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra by Alexander Borodin, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Prince Igor (Knyaz Igor), Act II: Polovtsian Dance: Uletay na kryl'yakh vetra Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo	Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana	A Major	1	11B	81 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Lohengrin: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	A Major	0	11B	75 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	176 BPM
Notturno in G Minor	Fanny Mendelssohn, Heather Schmidt	G Minor	1	6A	125 BPM
Henry VIII: Scherzetto	Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia	B♭ Major	0	6B	92 BPM
Symphony No.3 in F, Op.90: 3. Poco allegretto	Johannes Brahms, Cleveland Orchestra, Lorin Maazel	C Minor	0	5A	75 BPM
In the Steppes of Central Asia	Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	0	11B	68 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM

ISRC: DEAD60803001
Label: L-M Records/RCA Records

Section: 0.7169530391693115

End: 0.72210693359375