Louis Spohr, Pierre Amoyal, Marielle Nordmann, Armin Jordan & Lausanne Chamber Orchestra, Armin Jordan, Orchestre de Chambre de Lausanne's 'Spohr : Concertante for Violin & Harp in G major WoO13 : I Allegro' came out on 1982. Since Spohr : Concertante for Violin & Harp in G major WoO13 : I Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Spohr : Violin Concerto No.8, Concertante & Sonata (Apex)". In this album, this song's track order is #4. Based on our statistics, Spohr : Concertante for Violin & Harp in G major WoO13 : I Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spohr : Concertante for Violin & Harp in G major WoO13 : I Allegro by Louis Spohr, Pierre Amoyal, Marielle Nordmann, Armin Jordan & Lausanne Chamber Orchestra, Armin Jordan, Orchestre de Chambre de Lausanne having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Faust, Act II (1852 Version): Komm Roschen, lass uns fliehen | Louis Spohr, Michael Vier, Ulrich Neuweiler, Claudia Taha, Drew Abbott, Bielefeld Philharmonic Orchestra, Geoffrey Moull | E♭ Major | 1 | 5B | 77 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | E♭ Major | 0 | 5B | 92 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM |
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