"Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)" by Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra was released on December 20, 2010. The duration of Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Puccini Airs d'opéras". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) by Giacomo Puccini, Montserrat Caballé, Sir Charles Mackerras, London Symphony Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pecheurs de Perles, Act 1: Romance: Mi par d'udir ancora [Je crois entendre encore] | Georges Bizet, Orchestra, Eugene Goossens, Beniamino Gigli | C Major | 4 | 8B | 120 BPM | ||
Turandot: Act III Scene 1: Principessa divina! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Lascia Ch'io Pianga | George Frideric Handel, IZZY, Ernö Olah, National Radio Orchestra of The Netherlands | F Major | 2 | 7B | 105 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | B♭ Major | 0 | 6B | 87 BPM | ||
Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | D♭ Major | 2 | 3B | 76 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM |
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