Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki made "Concerto in D Major, L. 10: II. Con bravura" available on 2006. The duration of Concerto in D Major, L. 10: II. Con bravura is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Concerto in D Major, L. 10: II. Con bravura's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki's "Leonardo: Cello Concertos" album is number 2 out of 25. Based on our statistics, Concerto in D Major, L. 10: II. Con bravura's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in D Major, L. 10: II. Con bravura by Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 3 in D Minor: II. Col spirito | Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon | D♭ Minor | 2 | 12A | 60 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 3. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 119 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: III. Corrente. Allegro | Tomaso Albinoni, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Partenio, Ouverture (1738): I. (Without indication) | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
12 Concertos in 7 Parts, Op.3, No.10, Concerto in D major for 2 Flutes, Strings and Continuo: V. Allegro. Tempo di minuetto | Michael Christian Festing, Lucerne Festival Strings, Rudolf Baumgartner | C Major | 6 | 8B | 146 BPM | ||
Cello Concerto No. 5 in F Minor: I. Andante grazioso | Leonardo Leo, Hidemi Suzuki, Van Wassenaer Orchestra, Makoto Akatsu | B Minor | 2 | 10A | 112 BPM |
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