"Il barbiere di Siviglia, Act 1: La calunnia è un venticello (Live)" by Gioachino Rossini, Giovanni Furlanetto, Orchestra Del Teatro Fenice Di Venezia, Antonino Fogliani was released on February 14, 2020. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Rossini: Il barbiere di Siviglia (Live)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Italy. Il barbiere di Siviglia, Act 1: La calunnia è un venticello (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia, Act 1: La calunnia è un venticello (Live) by Gioachino Rossini, Giovanni Furlanetto, Orchestra Del Teatro Fenice Di Venezia, Antonino Fogliani having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Il turco in Italia, Act I: Ed osate… (Critical Ed. Margaret Bent) - Edit | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Major | 2 | 10B | 131 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |
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