"Quando Rinaldo" by Stefano Landi, Stephan Van Dyck, Alain Buet, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar was released on 2001. With this song being about 5 minutes long, at 4:47, "Quando Rinaldo" by Stefano Landi, Stephan Van Dyck, Alain Buet, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 13 out of 100. Based on our statistics, Quando Rinaldo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quando Rinaldo by Stefano Landi, Stephan Van Dyck, Alain Buet, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Indes galantes, Nouvelle Entrée, Scène 6: Danse du Grand Calumet de la Paix (Danse des Sauvages) | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 79 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Improvisation I on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 1 | 12A | 95 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Refrain 1 | Stephen Stubbs | A Minor | 0 | 8A | 86 BPM | ||
Si dolce e'l tormento (arr. for jazz ensemble) | Roberta Mameli, La Venexiana | D Minor | 1 | 7A | 72 BPM | ||
Landi : Il Sant'Alessio : Prologue "Né fur solo i miei Figli" | Stefano Landi, William Christie, Les Arts Florissants | G Major | 1 | 9B | 75 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM |
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