"Wie Unglücklich Bin Ich Nit Kv 147" by Edith Mathis was released on 1986. With Wie Unglücklich Bin Ich Nit Kv 147 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 39 in Edith Mathis: Lieder by Karl Engel. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Wie Unglücklich Bin Ich Nit Kv 147 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wie Unglücklich Bin Ich Nit Kv 147 by Edith Mathis is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Emil Gilels, George Szell, Cleveland Orchestra | B Major | 0 | 1B | 83 BPM | ||
Myrthen, Op. 25: 11. Lied der Braut I (Mutter! Mutter!) | Robert Schumann, Edith Mathis, Christoph Eschenbach | F Major | 0 | 7B | 76 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Sie werden euch in den Bann tun, Cantata BWV 44: VI. "Es ist und bleibt der Christen Trost" | Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter | B♭ Major | 2 | 6B | 116 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Er Ist's | Hugo Wolf, Edith Mathis, Gérard Wyss | E♭ Major | 1 | 5B | 167 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM |
Section: 1.2508647441864014
End: 1.256831169128418