- BPM
- 0
- Key
- D Minor
- Camelot
- 7A
La Sandunga - Hector Rojas Information
- Acousticness
- 100%
- Danceability
- 0%
- Energy
- 10%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 58%
- Speechiness
- 0%
- Valence
- 0%
- Popularity
- 6%
- Loudness
- -25.15 dB
Summary
"La Sandunga" by Hector Rojas was released on 1998. With La Sandunga being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 22 out of 186. La Sandunga is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Sandunga BPM
We consider the tempo marking of La Sandunga by Hector Rojas to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
La Sandunga Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | |
 | Vals, Op. 64 No.1 "Vals del Minuto" | Frédéric Chopin, Mauricio Náder | F Major | 1 | 7B | 111 BPM | |
 | Sones de Mariachi | Blas Galindo, Mexico Festival Orchestra, Enrique Bátiz | G Major | 3 | 9B | 130 BPM | |
 | Intermezzo No. 2, Lejano Azul | Teresa Gómez | G Major | 7 | 9B | 127 BPM | |
 | Mazurka No. 18 en mi menor | Héctor Rojas | D Major | 2 | 10B | 76 BPM | |
 | Csardas | Vittorio Monti, Clara Cernat, Thierry Huillet | D Major | 1 | 10B | 157 BPM | |
 | 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | |
 | Guia pratico, Book 11: No. 5. Vida Formosa | Heitor Villa-Lobos, Sonia Rubinsky | E♭ Major | 3 | 5B | 146 BPM | |
 | Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | |
 | Para Elisa | Alan Pianist | A Minor | 2 | 8A | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9951045513153076
End: 0.9993951320648193