"Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei" by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet was released on January 1, 2006. The duration of Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 40 in Charpentier, M.-A.: Messe A 8 Voix Et 8 Violons Et Flutes / Te Deum A 8 Voix Avec Flutes Et Violons by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
Prélude pour le Salve Regina, H. 23a | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 1 | 12A | 110 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, libro terzo, Op. 12: Ciaccona | Tarquinio Merula, Jordi Savall | C Major | 2 | 8B | 93 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Membra Jesu Nostri, BuxWV 75: IV. Ad latus. Surge amica mea | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 74 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM |
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