Cyrille Rose, John Walker, Christopher Hill and John Walker made "Etude No. 32 in D-flat" available on January 1, 2006. With Etude No. 32 in D-flat being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United States. In terms of popularity, Etude No. 32 in D-flat is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Etude No. 32 in D-flat by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 41 in fa maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | G Major | 2 | 9B | 91 BPM | ||
Sucinto | João Marcondes, Camerata Inaugural | F Major | 3 | 7B | 100 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
À la manière de Borodine, M. 63/1 (Arr. for Saxophone Quartet by Guillaume Berceau) | Maurice Ravel, Quatuor Zahir | D Minor | 2 | 7A | 82 BPM | ||
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM |
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