"Das Veilchen K.476" by Teresa Ringholz was released on January 1, 2006. The duration of Das Veilchen K.476 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Das Veilchen K.476's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Teresa Ringholz's "Mozart Songs: Volume 1" album is number 1 out of 17. Das Veilchen K.476 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Das Veilchen K.476 by Teresa Ringholz to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
High Jinks (Selections) - 1913 - Something Seems Tingle-ingling; The Bubble; Not Now, But Later; Love's Own Kiss | The Eastman-Dryden Orchestra, Teresa Ringholz | G Major | 0 | 9B | 126 BPM | ||
The Pirates of Penzance: Finale Act One | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | G Major | 1 | 9B | 92 BPM | ||
La scala di seta: VIII. Quartetto | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | A♭ Major | 2 | 4B | 117 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Vedrai, carino" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 94 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Credo: Et resurrexit | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Davide penitente, K. 469: Trio: Tutte le mie speranze (Soprano 1 and 2, Tenor) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Minor | 1 | 9A | 95 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM |
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