"Smetana: On the Seashore, Op. 17" by Bedřich Smetana, Leif Ove Andsnes was released on September 12, 2006. With this song being about 5 minutes long, at 4:56, "Smetana: On the Seashore, Op. 17" by Bedřich Smetana, Leif Ove Andsnes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leif Ove Andsnes's "Horizons - A Personnal Collection of Piano Encores" album is number 18 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Smetana: On the Seashore, Op. 17 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Smetana: On the Seashore, Op. 17 by Bedřich Smetana, Leif Ove Andsnes to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dalibor, JB 1:101, Act II, Scene 2: Oh, Unspeakable Charm of Love (Dalibor, Milada) | Bedřich Smetana, Beno Blachut, Marie Podvalová, Prague National Theatre Orchestra, Jaroslav Krombholc | F Minor | 4 | 4A | 102 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir) | Bedřich Smetana, Hana Janků, René Tuček, Václav Halíř, Antonín Jurečka, Jindřich Doubek, František Kunc, Zdenka Kareninová, Jarmila Palivcová, Brno State Theater Orchestra, Brno State Theater Choir, František Jílek | B Minor | 2 | 10A | 93 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM |
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