Bedřich Smetana, Hana Janků, René Tuček, Václav Halíř, Antonín Jurečka, Jindřich Doubek, František Kunc, Zdenka Kareninová, Jarmila Palivcová, Brno State Theater Orchestra, Brno State Theater Choir, František Jílek's 'Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir)' came out on August 16, 2018. Since Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 27 in Bedřich Smetana: Libuše by Bedřich Smetana, Hana Janků, René Tuček, Václav Halíř, Antonín Jurečka, Jindřich Doubek, František Kunc, Zdenka Kareninová, Jarmila Palivcová, Brno State Theater Orchestra, Brno State Theater Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir) by Bedřich Smetana, Hana Janků, René Tuček, Václav Halíř, Antonín Jurečka, Jindřich Doubek, František Kunc, Zdenka Kareninová, Jarmila Palivcová, Brno State Theater Orchestra, Brno State Theater Choir, František Jílek is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
The Kiss, JB 1:104, Act II, Scene 5: What a Dark Forest! (Vendulka, dcera Palouckého, Martinka, Vendulčina stará teta, Matouš, starý pašíř) | Bedřich Smetana, Ludmila Červinková, Marta Krásová, Vladimír Jedenáctík, Prague National Theatre Orchestra, Zdeněk Chalabala | G Major | 0 | 9B | 164 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM |
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