The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker's 'Be Thou My Vision ("Slane")' came out on May 8, 2012. The duration of Be Thou My Vision ("Slane") is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Be Thou My Vision ("Slane")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Queen's Diamond Jubilee - Royal Music from Westminster Abbey". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Be Thou My Vision ("Slane")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Be Thou My Vision ("Slane") by The Choir Of Westminster Abbey, London Brass, Martin Neary, Iain Simcock, Martin Baker having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 95 "O Come Let Us Sing unto the Lord" | William Boyce, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | D Major | 1 | 10B | 68 BPM | ||
Panis angelicus | César Franck, Stephen Cleobury, Choir of King's College, Cambridge | A Major | 2 | 11B | 77 BPM | ||
O Come, Emmanuel | Salisbury Cathedral Choir, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
Woodlands "Tell Out My Soul" | Walter Greatorex, Ely Cathedral Choir, Scott Farrell, Paul Trepte | D Major | 2 | 10B | 85 BPM | ||
Requiem, Op. 9: II. Kyrie (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | F Major | 1 | 7B | 84 BPM | ||
Silent Night | Franz Xaver Gruber, St. Paul's Cathedral Choir, Andrew Carwood | C Major | 0 | 8B | 126 BPM | ||
How shall I sing that majesty | Huddersfield Choral Society | E♭ Major | 2 | 5B | 101 BPM | ||
The Birds | Hubert Parry, The Choir Of Westminster Abbey, Martin Neary | C Major | 1 | 8B | 60 BPM | ||
All Through the Night | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | A Major | 0 | 11B | 57 BPM | ||
For All the Saints | Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 1 | 9B | 112 BPM |
Section: 0.5408017635345459
End: 0.5458559989929199