Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt's 'For All the Saints' came out on September 24, 2013. The duration of For All the Saints is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. For All the Saints's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Westminster Choir: Favorite Hymns and Anthems by Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt. The song's track number on the album is #8 out of 20 tracks. In terms of popularity, For All the Saints is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since For All the Saints by Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With For All the Saints being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candlelight Carol | John Rutter, Seraphic Fire, Jacqueline Kerrod, Patrick Dupre Quigley | F♯ Major | 1 | 2B | 83 BPM | ||
To God Be the Glory | The Eden Symphony Orchestra | E♭ Major | 1 | 5B | 81 BPM | ||
Oculus Non Vidit | Orlande de Lassus, Benedictines of Mary, Queen of Apostles | G Major | 0 | 9B | 130 BPM | ||
We Three Kings of Orient Are | St. Paul's Cathedral Choir | A♭ Major | 3 | 4B | 59 BPM | ||
A Spotless Rose | Herbert Howells, James Shaffran, The Choral Arts Society Of Washington, The Choral Arts Society of Washington Orchestra, Norman Scribner | F♯ Minor | 1 | 11A | 111 BPM | ||
And Then Shall Your Light Break Forth (from Elijah) | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | D Major | 4 | 10B | 179 BPM | ||
There's a wideness in God's mercy | Maurice Bevan, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
God Rest You Merry, Gentlemen (Arr. David Willcocks) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Tom Etheridge | E Minor | 2 | 9A | 110 BPM | ||
We Plough The Fields and Scatter | The Scottish Festival Singers | G Major | 2 | 9B | 79 BPM | ||
Guide Me O Thou Great Jehovah | Huddersfield Choral Society | A♭ Major | 2 | 4B | 104 BPM |
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