"Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - I. Allegro con brio" by Royal Philharmonic Orchestra, Robert Bachmann had its release date on July 19, 2002. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Royal Philharmonic Orchestra, Robert Bachmann's "Johannes Brahms: Orchesterwerke 1 - 4" album is number 6 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - I. Allegro con brio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - I. Allegro con brio by Royal Philharmonic Orchestra, Robert Bachmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 80 BPM | ||
The Valkyrie, WWV 86B, Pt. 3: The Ride of the Valkyries | Richard Wagner, Royal Philharmonic Orchestra, Philip Ellis | E♭ Minor | 1 | 2A | 100 BPM | ||
Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
Unchained - Unchained Melody | Alex North, Hollywood Bowl Orchestra, John Mauceri | A Major | 0 | 11B | 86 BPM | ||
Amazing Grace - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | G Major | 5 | 9B | 90 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
The Wedding | Jóhann Jóhannsson | B♭ Major | 2 | 6B | 135 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 2, Wild Dance of the Men | Alexander Borodin, Sir Thomas Beecham, Royal Philharmonic Orchestra | F♯ Major | 9 | 2B | 125 BPM |