"The Planets, Op. 32: 2. Venus, the Bringer of Peace" by Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1987. Since The Planets, Op. 32: 2. Venus, the Bringer of Peace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Female Chorus Of The Montreal Symphony O, Orchestre Symphonique de Montréal, Charles Dutoit's "Holst: The Planets" album is number 2 out of 7. The Planets, Op. 32: 2. Venus, the Bringer of Peace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 2. Venus, the Bringer of Peace by Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Outdoor Scenes: Hallowe'en | Charles Ives, Orchestre Symphonique de Montréal, Kent Nagano | B Minor | 2 | 10A | 89 BPM | ||
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | C Major | 0 | 8B | 122 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, London Symphony Orchestra | C Major | 0 | 8B | 70 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
The Firebird Suite *: Introduction | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F♯ Minor | 0 | 11A | 74 BPM |
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