- BPM
- 89
- Key
- B Minor
- Camelot
- 10A
Three Outdoor Scenes: Hallowe'en - Charles Ives, Orchestre Symphonique de Montréal, Kent Nagano Information
- Acousticness
- 93%
- Danceability
- 31%
- Energy
- 17%
- Instrumentalness
- 1%
- Liveness
- 68%
- Loudness
- 53%
- Speechiness
- 18%
- Valence
- 70%
- Popularity
- 16%
- Loudness
- -28.28 dB
Summary
Charles Ives, Orchestre Symphonique de Montréal, Kent Nagano made "Three Outdoor Scenes: Hallowe'en" available on October 14, 2016. The duration of Three Outdoor Scenes: Hallowe'en is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Three Outdoor Scenes: Hallowe'en's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 6 in Danse Macabre by Orchestre Symphonique de Montréal, Kent Nagano, Antonín Dvořák, Camille Saint-Saëns, Charles Ives, Mily Balakirev, Modest Mussorgsky, Paul Dukas. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Three Outdoor Scenes: Hallowe'en is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Three Outdoor Scenes: Hallowe'en BPM
The tempo marking of Three Outdoor Scenes: Hallowe'en by Charles Ives, Orchestre Symphonique de Montréal, Kent Nagano is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Three Outdoor Scenes: Hallowe'en Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Fontane di Roma (The Fountains of Rome): I. La fontana di Valle Giulia all'alba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 0 | 8B | 70 BPM | |
 | Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | |
 | Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | |
 | Symphony No. 2, Op. 30, "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 1 | 7A | 73 BPM | |
| Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | |
 | Daphnis et Chloé, M. 57 / Première partie: Danse grotesque de Dorcon - Scène | Maurice Ravel, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 92 BPM | |
 | Swan Lake, Op.20, TH.12 / Act 3: No.16 Danses du corps de ballet et des nains (Moderato assai) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 3 | 8B | 143 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM |
- ISRC
- CA5KV1610006
- Label
- L-M Records/RCA Records
Section: 0.5689404010772705
End: 0.572988748550415