"Prelude, Marine & Chansons for flute, violin, viola, cello & harp: 2. Marine" by Guy Ropartz, Melos Ensemble was released on January 1, 2013. The duration of Prelude, Marine & Chansons for flute, violin, viola, cello & harp: 2. Marine is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Prelude, Marine & Chansons for flute, violin, viola, cello & harp: 2. Marine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Ravel: Introduction & Allegro; Debussy: Sonata For Flute, Viola & Harp". In this album, this song's track order is #9. Prelude, Marine & Chansons for flute, violin, viola, cello & harp: 2. Marine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude, Marine & Chansons for flute, violin, viola, cello & harp: 2. Marine by Guy Ropartz, Melos Ensemble having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Schumann: 3 Romances, Op. 94: No. 2 Einfach, innig | Robert Schumann, Emmanuel Pahud, Eric Le Sage | C Minor | 1 | 5A | 69 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Eccles: Sonata in G Minor: IV. Presto | Mark Morton | G Minor | 2 | 6A | 117 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: I. Française. Allegro giocoso | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | E♭ Major | 1 | 5B | 174 BPM | ||
Dans l'ombre de la montagne: IV. Vieille Eglise | Guy Ropartz, Stephanie McCallum | F Major | 1 | 7B | 83 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM |
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