Mark Morton's ' "Eccles: Sonata in G Minor: IV. Presto" was released on its scheduled release date, January 1, 2002. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Thresholds Vol. 1". In this album, this song's track order is #4. In terms of popularity, Eccles: Sonata in G Minor: IV. Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Eccles: Sonata in G Minor: IV. Presto by Mark Morton having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Minor | 0 | 2A | 70 BPM | ||
Eusebius Revisited (Remembrances of Schumann) | Mark Morton, Christopher Finkelmeyer | G Major | 2 | 9B | 91 BPM | ||
The Garden of Eden: III. The Serpent's Kiss | William Bolcom, Spencer Myer | D Major | 2 | 10B | 113 BPM | ||
Bottesini: Double Bass Concerto in B Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 1 | 9B | 167 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonate pour basson, Op. 168: III. Adagio | Camille Saint-Saëns, Marc Trenel, Pascal Godart | C Major | 0 | 8B | 73 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM |