"Otar-amai champeki vra - On strange desert roads" by Traditional, Karineh Hovhanessian was released on 1996. The duration of Otar-amai champeki vra - On strange desert roads is about 3 minutes long, at 3:20. Based on our data, "Otar-amai champeki vra - On strange desert roads" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Music of Armenia, Vol. 4: Kanon/Traditional Zither Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Otar-amai champeki vra - On strange desert roads is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Otar-amai champeki vra - On strange desert roads by Traditional, Karineh Hovhanessian having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beautiful Savior (Arr. M. Wilberg) | Mack Wilberg, Traditional, BYU Men's Chorus | E Major | 1 | 12B | 130 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Ad Completorium: Hymnus "Te lucis ante terminum" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 0 | 2B | 144 BPM | ||
Mr. Beveridge's Magot | The Broadside Band | G Minor | 2 | 6A | 111 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Kyrie Eleison | Monks Of The Abbey Of Notre Dame | B Minor | 0 | 10A | 65 BPM | ||
Ein feste Burg ist unser Gott in F Major | Melchior Franck, Vox Luminis, Lionel Meunier, Bart Jacobs | C Major | 2 | 8B | 66 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM |
Section: 0.692887544631958
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