"Giulietta degli spiriti: I. Rugiada sui ranocchi" by Nino Rota, Massimo Palumbo was released on November 1, 1999. The duration of Giulietta degli spiriti: I. Rugiada sui ranocchi is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Giulietta degli spiriti: I. Rugiada sui ranocchi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Film Music of Nino Rota". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. The popularity of Giulietta degli spiriti: I. Rugiada sui ranocchi is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Giulietta degli spiriti: I. Rugiada sui ranocchi by Nino Rota, Massimo Palumbo having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: IV, Herr Tristan trete nah (Isolde) - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Swan | Masami Takeuchi | G Major | 0 | 9B | 70 BPM | ||
Realidad y Dispersión | Senderos Del Destino | F Minor | 1 | 4A | 80 BPM | ||
Po zarostlém chodníčku - Series I: III. Pojďte s námi! | Leoš Janáček, Gianluigi Daniele | A♭ Minor | 0 | 1A | 72 BPM | ||
Dance Souvenance | Elisabeth Lutyens, Martin Jones | E♭ Major | 0 | 5B | 65 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
The Godfather - Waltz | Nino Rota, Richard Galliano, John Surman, Dave Douglas, Clarence Penn, Boris Kozlov | D Major | 0 | 10B | 126 BPM | ||
The Baptism | Nino Rota | A♭ Major | 3 | 4B | 70 BPM | ||
Story of the Alpes PII (Ambient) | Arash Sanee | E Minor | 1 | 9A | 139 BPM |
Section: 0.4658997058868408
End: 0.4704005718231201