"Rapsodie espagnole, M.54: 4. Feria" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1994. Since Rapsodie espagnole, M.54: 4. Feria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Ravel: Ma Mère L'Oye; Boléro etc.". In this album, this song's track order is #14. In terms of popularity, Rapsodie espagnole, M.54: 4. Feria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rapsodie espagnole, M.54: 4. Feria by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: L'estro armonico, Concerto for Two Violins in A Minor, Op. 3 No. 8, RV 522 "Per eco in lontano": I. Allegro | Antonio Vivaldi, Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | B♭ Major | 1 | 6B | 115 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
L'enfant et les sortileges: Bebe a ete sage? (Mama) | Maurice Ravel, Julie Boulianne, Genevieve Despres, Kirsten Gunlogson, Philippe Castagner, Ian Greenlaw, Kevin Short, Agathe Martel, Cassandre Prevost, Julie Cox, Nashville Symphony Chorus, Chicago Symphony Chorus, Chattanooga Boys Choir, Nashville Symphony Orchestra, Alastair Willis | B♭ Minor | 0 | 3A | 108 BPM | ||
Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 102 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Pantomime | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 169 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 3. Largamente, ma mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 140 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Symphony No.5 In C Minor, Op.67: 3. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 84 BPM |
Section: 0.836268424987793
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