Astor Piazzolla, Duo Polaris made "Histoire du Tango - Nightclub 1960" available on December 20, 2023. Histoire du Tango - Nightclub 1960 is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Nuevo Tango & Traditional Folk Dances (For Saxophone and Piano)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. Based on our statistics, Histoire du Tango - Nightclub 1960's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Histoire du Tango - Nightclub 1960 by Astor Piazzolla, Duo Polaris having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata & Fugue in D Minor, BWV 566: II. Fugue - Arranged by Charl du Plessis | Johann Sebastian Bach, Charl du Plessis Trio | D Minor | 5 | 7A | 153 BPM | ||
I Sogni del Postino | Luis Bacalov | C Major | 2 | 8B | 65 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
María de Buenos Aires, Part I, Scene 7: "Toccata rea" (El duende) | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | A Major | 2 | 11B | 118 BPM | ||
Estrellita | Manuel Ponce, Manuel Barrueco | D Major | 0 | 10B | 97 BPM | ||
Villa-Lobos : Guitar Concerto : II Andantino e andante | Heitor Villa-Lobos, Sharon Isbin, José Serebrier, New York Philharmonic | E Minor | 1 | 9A | 76 BPM | ||
María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) | Astor Piazzolla, María Dueñas, Itamar Golan | G Minor | 4 | 6A | 81 BPM | ||
Musette Pour Fritz | Frantisek Janoska, Janoska Ensemble | F Minor | 3 | 4A | 67 BPM | ||
Sentimentale, Pt. 2 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | F Minor | 3 | 4A | 85 BPM |
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