"5 Canciones para ninos: No. 4. Cancion de cuna" by Silvestre Revueltas, Jessica Rivera, Mark Carver was released on February 24, 2015. The duration of 5 Canciones para ninos: No. 4. Cancion de cuna is about 3 minutes long, at 3:08. Based on our data, "5 Canciones para ninos: No. 4. Cancion de cuna" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Spanish-American Songs". In this album, this song's track order is #11. 5 Canciones para ninos: No. 4. Cancion de cuna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Canciones para ninos: No. 4. Cancion de cuna by Silvestre Revueltas, Jessica Rivera, Mark Carver having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La coronela (The Lady Colonel): II. Los Desheredados (The Disinherited): El Peon (The Laborer) | Silvestre Revueltas, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | B Major | 4 | 1B | 121 BPM | ||
Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM | ||
Crónicas Latinoamericanas: I. Panorámicas | Daniel Freiberg, Pacho Flores, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | D Major | 2 | 10B | 92 BPM | ||
Batuque | Oscar Lorenzo Fernández, Orquestra Sinfonica di Venezuela, Theodore Kuchar | C Major | 4 | 8B | 101 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM | ||
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Melodía for Violin and Orchestra, Op. 1, "1890" | Gustavo E. Campa, Alondra de la Parra, Philharmonic Orchestra of the Americas | F Major | 1 | 7B | 67 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
La coronela (The Lady Colonel): IV. El Juicio Final (The Last Judgement): La Lucha (The Battle) | Silvestre Revueltas, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | F♯ Major | 6 | 2B | 122 BPM | ||
Danzón No. 1 (feat. Orquesta Mexicana de las Artes) | Marquez | B Major | 1 | 1B | 145 BPM |
Section: 0.8051235675811768
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