"Melodía for Violin and Orchestra, Op. 1, "1890"" by Gustavo E. Campa, Alondra de la Parra, Philharmonic Orchestra of the Americas was released on July 30, 2010. With this song being about 5 minutes long, at 5:25, "Melodía for Violin and Orchestra, Op. 1, "1890"" by Gustavo E. Campa, Alondra de la Parra, Philharmonic Orchestra of the Americas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alondra de la Parra's "My Mexican Soul" album is number 2 out of 15. Melodía for Violin and Orchestra, Op. 1, "1890" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Melodía for Violin and Orchestra, Op. 1, "1890" by Gustavo E. Campa, Alondra de la Parra, Philharmonic Orchestra of the Americas to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM | ||
La noche de los mayas: I. Noche de los Mayas | Silvestre Revueltas, Xalapa Symphony Orchestra, Carlos Miguel Prieto | C Major | 1 | 8B | 67 BPM | ||
El Amor brujo: III. Canción del fuego fatuo | Manuel de Falla, Wilhem Latchoumia | B Major | 1 | 1B | 119 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Mephistos Höllenrufe, Walzer, Op. 101 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 99 BPM | ||
Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Danzón No. 2 - Transcr. for piano solo | Arturo Márquez, Simon Ghraichy | D Minor | 1 | 7A | 107 BPM | ||
Aubade | Gustavo E. Campa, Gustavo Cuautli, Sergio Vazquez | F Major | 3 | 7B | 88 BPM | ||
Sabor A Mí | Pitingo, Alondra de la Parra | D Major | 3 | 10B | 92 BPM |
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