"La traviata / Act 1: Ah, fors’è lui" by Giuseppe Verdi, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza was released on March 4, 2022. With this song being about 5 minutes long, at 5:19, "La traviata / Act 1: Ah, fors’è lui" by Giuseppe Verdi, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza, Charles Gounod, Gaetano Donizetti, Giuseppe Verdi's "Made for Opera" album is number 2 out of 17. On top of that, Germany appears to be the country where this track was created. La traviata / Act 1: Ah, fors’è lui is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La traviata / Act 1: Ah, fors’è lui by Giuseppe Verdi, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 84 BPM | ||
Carmen / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | E Major | 1 | 12B | 87 BPM | ||
Pagliacci, Act I, Scene 3: Recitar! ... Vesti la giubba | Ruggero Leoncavallo, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Porgi amor" (Contessa) | Wolfgang Amadeus Mozart, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D♭ Major | 2 | 3B | 91 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM |
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