Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas's 'Sonata da camera in A Minor, Op. 1, No. 5: III. Vivace' came out on January 1, 2000. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jakob Friedrich Kleinknecht, Various Artists's "Kleinknecht, J.F.: Sonatas Da Camera, Op. 1" album is number 9 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Sonata da camera in A Minor, Op. 1, No. 5: III. Vivace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata da camera in A Minor, Op. 1, No. 5: III. Vivace by Jakob Friedrich Kleinknecht, Ildiko Kertesz, Nicholas Selo, Geoffrey Thomas to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Uscita, Ballo Primo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 80 BPM | ||
Suite in E Minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: VII. La belle Angloise Gigue | Charles Mouton, Anders Ericson | B Minor | 2 | 10A | 88 BPM | ||
Trio Sonata in A Major, A02: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 1 | 4B | 79 BPM | ||
Minuet in G Major, BWV Anh. 116 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Sonata for Recorder and Continuo in D Minor: II. Largo | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | G Minor | 0 | 6A | 78 BPM | ||
Air | Robert de Visée, Simon Linné | F Minor | 1 | 4A | 102 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Triosonate für 2 Flöten und Basso Continuo, D-Dur, op. II/3: III. Presto | Jakob Friedrich Kleinknecht, Elisabeth Weinzierl, Edmund Wächter, Eva Schieferstein, Philipp von Morgen | D Major | 1 | 10B | 112 BPM |
Section: 0.5341982841491699
End: 0.5414829254150391