Astor Piazzolla, Fabio Armiliato's 'Los pájaros perdidos' came out on March 22, 2024. The duration of Los pájaros perdidos is about 3 minutes long, at 3:24. Based on our data, "Los pájaros perdidos" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Una Vita in Canto". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Los pájaros perdidos is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Los pájaros perdidos by Astor Piazzolla, Fabio Armiliato having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | C Minor | 0 | 5A | 142 BPM | ||
Boedo | Astor Piazzolla, Octeto Buenos Aires | D Major | 5 | 10B | 123 BPM | ||
Double Violin Concerto in D minor, BWV 1043: Vivace | Matt Herskowitz Trio, Matt Herskowitz, Philippe Quint, Mat Fieldes, David Rozenblatt, Lara St. John | G Minor | 4 | 6A | 168 BPM | ||
Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | B♭ Major | 3 | 6B | 139 BPM | ||
Eu sei che vou te amar | Amores Tangos | C Major | 2 | 8B | 75 BPM | ||
Pigalle | George Ulmer, Die 12 Cellisten der Berliner Philharmoniker | A Major | 1 | 11B | 175 BPM | ||
Danzón No. 2 - Transcr. for piano and percussions | Arturo Márquez, Simon Ghraichy, Emmanuel Curt, Florent Jodelet | D Minor | 3 | 7A | 114 BPM | ||
Libertango (Orch. Bacalov) | Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | D Minor | 6 | 7A | 155 BPM | ||
Fuga y Misterio/Tangata | Sexteto Mayor | A Minor | 2 | 8A | 132 BPM | ||
Bach, JS / Arr. Cazes: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Pixinguinha, Camerata Brasil, Henrique Cazes | C Major | 5 | 8B | 115 BPM |
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