"Cello Concerto No.1 in E Flat Major, Op.107: 3. Cadenza - Live" by Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla was released on January 26, 2018. Since Cello Concerto No.1 in E Flat Major, Op.107: 3. Cadenza - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sheku Kanneh-Mason's "Inspiration" album is number 7 out of 12. In terms of popularity, Cello Concerto No.1 in E Flat Major, Op.107: 3. Cadenza - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto No.1 in E Flat Major, Op.107: 3. Cadenza - Live by Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: I. Allegro moderato | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Minor | 2 | 5A | 142 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
From Jewish Life, B 54: 1. Prayer (Arr. B. Kanneh-Mason) | Ernest Bloch, Braimah Kanneh-Mason, Sheku Kanneh-Mason | F Minor | 1 | 4A | 96 BPM | ||
Symphony No. 14 in G Minor, Op. 135: XI. Schlussstück | Dmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris Nelsons | D Major | 2 | 10B | 179 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Chanson russe (Arr. for Cello and Piano) | Igor Stravinsky, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM |
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