Carl Orff, London Philharmonic Choir, David Parry, London Philharmonic Orchestra's 'Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna' came out on February 1, 2020. The duration of Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 50 in Classical Music by Various Artists. Based on our statistics, Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna by Carl Orff, London Philharmonic Choir, David Parry, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 in G Minor, Op. 8 RV 315, "L'estate" (Summer): III. Presto | Emmy Verhey | C Minor | 5 | 5A | 139 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
Danse Macabre, Op. 40, R.171 | Camille Saint-Saëns, Orchestre Symphonique de Montréal, Andrew Wan, Kent Nagano | G Minor | 1 | 6A | 107 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 99 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM | ||
Dance Of The Comedians | Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos | C Major | 3 | 8B | 76 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 133 BPM | ||
Carmina Burana / I. Primo vere: "Ecce gratum" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | F Major | 4 | 7B | 149 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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