Pieter Jan Leusink, Kirstin Linde, Sytse Buwalda, Bas Ramselaar, Marjon Strijk, Nico Van Der Meel, Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Johann Sebastian Bach's 'III. Was Frag Ich Nach Der Welt BWV 94, (3) Recitativo • Choral (Tenore): Die Welt Sucht Ehr' Und Ruhm' came out on December 20, 2006. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 19 in Bach Cantatas (Complete) Part: 24 by Pieter Jan Leusink. III. Was Frag Ich Nach Der Welt BWV 94, (3) Recitativo • Choral (Tenore): Die Welt Sucht Ehr' Und Ruhm is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Was Frag Ich Nach Der Welt BWV 94, (3) Recitativo • Choral (Tenore): Die Welt Sucht Ehr' Und Ruhm by Pieter Jan Leusink, Kirstin Linde, Sytse Buwalda, Bas Ramselaar, Marjon Strijk, Nico Van Der Meel, Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, RV 621 for Alto Solo: No. 7, Eja mater | Antonio Vivaldi, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 6 | 12B | 98 BPM | ||
Vesper Voluntaries, op. 14: no. 6 | Edward Harte | G Minor | 0 | 6A | 65 BPM | ||
Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 153 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) | Johann Ludwig Krebs, Ton Koopman | C Minor | 0 | 5A | 72 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
Heer, Ik Hoor Van Rijken Zegen | Feike Asma | F Major | 0 | 7B | 73 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Een vaste Burcht | Pieter Jan Leusink, Urker Mannen Ensemble | C Major | 4 | 8B | 99 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM |
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