Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti made "Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio" available on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs champêtres: I. Musette | Jean-Féry Rebel, Jordi Savall | A♭ Major | 1 | 4B | 124 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Sonata Da Camera No. 7 in D minor, Op. 5: III. Sarabanda (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | D♭ Minor | 1 | 12A | 139 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: II. Adagio | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | E Major | 1 | 12B | 101 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Sonatina (Arr. For chamber ensemble) | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E Major | 0 | 12B | 144 BPM | ||
Viola da Gamba Sonata in G Major, BWV 1027: III. Andante | Johann Sebastian Bach, Hille Perl, Michael Behringer | F♯ Major | 1 | 2B | 83 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM |
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