Jed Wentz, Tito Vespasiano, Claudia Patacca, Vocal Ensemble Cocu, Francine Van Der Heyden, Arts Music Recording, Rotterdam, Wolfgang Amadeus Mozart, Servilia, Michael Borgstede, Valentina Di Taranto, Nicola Wemyss, Sesto, Cécile Van De Sant, Musica ad Rhenum, André Post, Eric Hoeprich, Italian And Vocal Coach's 'La Clemenza Di Tito, Kv 621, Atto Primo : Duetto Sesto, Annio: Deh Prendi' came out on March 28, 2007. With La Clemenza Di Tito, Kv 621, Atto Primo : Duetto Sesto, Annio: Deh Prendi being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jed Wentz's "Mozart Edition Volume 23" album is number 7 out of 48. On top of that, Netherlands appears to be the country where this track was created. La Clemenza Di Tito, Kv 621, Atto Primo : Duetto Sesto, Annio: Deh Prendi is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Clemenza Di Tito, Kv 621, Atto Primo : Duetto Sesto, Annio: Deh Prendi by Jed Wentz, Tito Vespasiano, Claudia Patacca, Vocal Ensemble Cocu, Francine Van Der Heyden, Arts Music Recording, Rotterdam, Wolfgang Amadeus Mozart, Servilia, Michael Borgstede, Valentina Di Taranto, Nicola Wemyss, Sesto, Cécile Van De Sant, Musica ad Rhenum, André Post, Eric Hoeprich, Italian And Vocal Coach to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in D Major, Hob. XI:69: II. Menuet. Allegretto | Joseph Haydn, Valencia Baryton Project | A Major | 3 | 11B | 115 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Sinfonia in E Major: V. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: IV. Rondeau | Marin Marais, Ensemble Amalia | F♯ Major | 0 | 2B | 141 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM |
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