"Semele / Act 2: Oh sleep, why dost thou leave me?" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket was released on January 1, 2004. The duration of Semele / Act 2: Oh sleep, why dost thou leave me? is about 3 minutes long, at 3:15. Based on our data, "Semele / Act 2: Oh sleep, why dost thou leave me?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #1. The popularity of Semele / Act 2: Oh sleep, why dost thou leave me? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semele / Act 2: Oh sleep, why dost thou leave me? by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | G Major | 1 | 9B | 91 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 86 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 0 | 5B | 80 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E Minor | 1 | 9A | 85 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | G Major | 0 | 9B | 77 BPM |
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