Mikołaj Zieleński, Wroclaw Baroque Ensemble, Piotr Olech, Zbigniew Pilch, Maximilian Ehrhardt, Marta Niedzwiecka, Karl Heinrich Wendorf, Andrzej Kosendiak's 'Offertoria et communiones totius anni (Excerpts): Responsum accepit simeon' had a release date set for August 7, 2020. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Offertoria et communiones totius anni (Excerpts): Responsum accepit simeon's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zieleński: Offertoria et communiones totius anni (Excerpts) by Mikołaj Zieleński, Wroclaw Baroque Ensemble, Andrzej Kosendiak. The song's track number on the album is #7 out of 15 tracks. Offertoria et communiones totius anni (Excerpts): Responsum accepit simeon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Offertoria et communiones totius anni (Excerpts): Responsum accepit simeon by Mikołaj Zieleński, Wroclaw Baroque Ensemble, Piotr Olech, Zbigniew Pilch, Maximilian Ehrhardt, Marta Niedzwiecka, Karl Heinrich Wendorf, Andrzej Kosendiak has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Offertoria et communiones totius anni (Excerpts): Responsum accepit simeon being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 77 BPM | ||
Kyrie | Sofia Söderberg, Emil Fredberg, Svanholm Singers | E Major | 1 | 12B | 113 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Discretio - Ego Discretio | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | A Major | 1 | 11B | 71 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Messa a quattro voci, SV 190: I. Kyrie | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | B Minor | 1 | 10A | 130 BPM | ||
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM |