Oscar Straus, Käthe Graus, Herbert Ernst Groh made "Ein Walzertraum, Act II: Dialog 15 (Helene, Niki)" available on September 29, 2014. With Ein Walzertraum, Act II: Dialog 15 (Helene, Niki) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Straus: Ein Walzertraum". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. Ein Walzertraum, Act II: Dialog 15 (Helene, Niki) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ein Walzertraum, Act II: Dialog 15 (Helene, Niki) by Oscar Straus, Käthe Graus, Herbert Ernst Groh having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Mini Hungarian 5 | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Die Perlen der Cleopatra, Act I: Immer einsam und allein | Oscar Straus, Morenike Fadayomi, Axel Mendrok, Franz Lehar Orchestra, Herbert Mogg | D Major | 1 | 10B | 83 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
Ein Walzertraum, Act I: Dialog 5 (Helene, Niki, Montschi, Lothar) | Oscar Straus, Käthe Graus, Herbert Ernst Groh, Willy Hofmann, Peter Alexander | E♭ Minor | 5 | 2A | 90 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM |
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