"Nur wer die Sehnsucht kennt, D.877 No.4 (Mignons Gesang, 4th ver sion)" by Franz Schubert, Mischa Maisky, Daria Hovora was released on January 1, 1996. The duration of Nur wer die Sehnsucht kennt, D.877 No.4 (Mignons Gesang, 4th ver sion) is about 3 minutes long, at 3:19. Based on our data, "Nur wer die Sehnsucht kennt, D.877 No.4 (Mignons Gesang, 4th ver sion)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Schubert: Songs without Words". In this album, this song's track order is #5. Based on our statistics, Nur wer die Sehnsucht kennt, D.877 No.4 (Mignons Gesang, 4th ver sion)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nur wer die Sehnsucht kennt, D.877 No.4 (Mignons Gesang, 4th ver sion) by Franz Schubert, Mischa Maisky, Daria Hovora having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 76 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Auf Flügeln des Gesanges, Op.34, No.2 | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 0 | 10B | 92 BPM | ||
Violin Sonata No. 2 In E Minor, Op. 108: II. Andante | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
"Der Tod, das ist die kühle Nacht" Op. 96, No. 1 | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Romance (Arr. for Cello and Piano by Steven Isserlis) | Alexander Scriabin, Mischa Maisky, Lily Maisky | A Minor | 1 | 8A | 84 BPM | ||
Sommerabend. Op. 85, No. 1 | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
5 Stücke im Volkston, Op.102: 1. Vanitas vanitatum (Mit Humor) | Robert Schumann, Martha Argerich, Mischa Maisky | F Major | 1 | 7B | 105 BPM |
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