Dmitry Kabalevsky, RCA Victor Symphony Orchestra, Oscar Shumsky, Kirill Kondrashin made "Kabalevsky: The Comedians, Op.26 IX. Scherzo" available on January 1, 1959. With Kabalevsky: The Comedians, Op.26 IX. Scherzo being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dmitry Kabalevsky, RCA Victor Symphony Orchestra, Oscar Shumsky, Kirill Kondrashin's "Kabalevsky: The Comedians" album is number 9 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Kabalevsky: The Comedians, Op.26 IX. Scherzo's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kabalevsky: The Comedians, Op.26 IX. Scherzo by Dmitry Kabalevsky, RCA Victor Symphony Orchestra, Oscar Shumsky, Kirill Kondrashin to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 5 in G-Flat Major "Black Keys" | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 119 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
24 Préludes, Op. 28: 15. In D Flat Major ("Raindrop") | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | ||
Oboe Concerto: Allegro moderato | Richard Strauss, John De Lancie, Max Wilcox | D Major | 1 | 10B | 108 BPM | ||
Cello Concerto No. 1 In G Minor, Op. 49: I. Allegro | Moscow Symphony Orchestra, Alexander Rudin, Dmitry Kabalevsky | D Minor | 0 | 7A | 88 BPM | ||
Pictures at an Exhibition: Pictures at an Exhibition: X. The great gate of Kiev | Modest Mussorgsky, Paul Lewis | E♭ Major | 1 | 5B | 139 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM |
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