"Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun"" by Giuseppe Verdi, Margaret Price, Luciano Pavarotti, Renato Bruson, National Philharmonic Orchestra, Sir Georg Solti was released on January 1, 1985. With this song being about 5 minutes long, at 4:46, "Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun"" by Giuseppe Verdi, Margaret Price, Luciano Pavarotti, Renato Bruson, National Philharmonic Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Un Ballo in Maschera by Giuseppe Verdi, Kathleen Battle, Renato Bruson, Christa Ludwig, Luciano Pavarotti, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti. The song's track number on the album is #1 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun" by Giuseppe Verdi, Margaret Price, Luciano Pavarotti, Renato Bruson, National Philharmonic Orchestra, Sir Georg Solti has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun" being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 173 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Rigoletto / Act 2: "Ella mi fu rapita...Parmi veder le lagrime" | Giuseppe Verdi, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 1 | 3B | 89 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM |
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