Fritz Kreisler, Maxim Vengerov, Ian Brown made "Kreisler: 3 Old Viennese Dances for Violin and Piano: I. Liebesfreud (Allegro)" available on November 1, 2004. The duration of Kreisler: 3 Old Viennese Dances for Violin and Piano: I. Liebesfreud (Allegro) is about 3 minutes long, at 3:17. Based on our data, "Kreisler: 3 Old Viennese Dances for Violin and Piano: I. Liebesfreud (Allegro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 12 in Encores by Maxim Vengerov. In terms of popularity, Kreisler: 3 Old Viennese Dances for Violin and Piano: I. Liebesfreud (Allegro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Kreisler: 3 Old Viennese Dances for Violin and Piano: I. Liebesfreud (Allegro) by Fritz Kreisler, Maxim Vengerov, Ian Brown is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Légende op. 17 | Henryk Wieniawski, Ray Chen | G Minor | 1 | 6A | 63 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Consolations, S172/R12: No. 3 in D-Flat Major: Lento placido (arr. N. Milstein) | Nathan Milstein, Franz Liszt, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 86 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Allegretto moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | G Major | 3 | 9B | 107 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
Section: 0.8083348274230957
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