"Adriana Lecouvreur, Act I: Dov'è, dunque, il biglietto di Zatima" by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulio Fioravanti, Silvio Maionica, Franco Ricciardi, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on June 9, 2017. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Adriana Lecouvreur, Act I: Dov'è, dunque, il biglietto di Zatima is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur, Act I: Dov'è, dunque, il biglietto di Zatima by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulio Fioravanti, Silvio Maionica, Franco Ricciardi, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi | A Major | 1 | 11B | 60 BPM | ||
Non ti voglio amar | Francesco Cilea, Anastasia Tomaszewska Schepis, Fausta Cianti | B♭ Major | 1 | 6B | 87 BPM | ||
L'arlesiana: Lamento di Federico | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | A Minor | 1 | 8A | 124 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM |
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