Carl Orff, Zubin Mehta, London Philharmonic Choir, London Philharmonic Orchestra made "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" available on March 24, 2008. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 40 Most Beautiful Spring Classics, so we believe that "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" is a single. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Zubin Mehta, London Philharmonic Choir, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Joseph Keilberth, Philharmonisches Staatsorchester Hamburg | D Minor | 3 | 7A | 91 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III. Allegro | Karoly Botvay | C Major | 1 | 8B | 136 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 1 | 7A | 144 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Pavanne | Peter Cooper, Marcia Labella | F♯ Minor | 1 | 11A | 69 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM |
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