"Missa pro Quadragesima, MH 551: Credo" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. With Missa pro Quadragesima, MH 551: Credo being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 9 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa pro Quadragesima, MH 551: Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Quadragesima, MH 551: Credo by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
La Déploration de Johan Okeghem | Josquin des Prez, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Komm, Jesu, komm | Johann Schelle, Bavarian Radio Chorus, Florian Helgath, Capella De La Torre, Katharina Bauml | G Major | 1 | 9B | 93 BPM | ||
Symphony No. 10 in F Major, MH 51: II. Andante | Michael Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer, Philharmonia, English String Orchestra | E Minor | 0 | 9A | 76 BPM | ||
De profundis clamavi à 5 | Josquin des Prez, Alan Black, Pomerium | A Minor | 0 | 8A | 80 BPM |
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