"Como una ola de fuerza y luz: 1. Interno dolce" by Luigi Nono, Slavka Taskova, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado was released on January 1, 1988. With Como una ola de fuerza y luz: 1. Interno dolce being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Nono: Como una ola de fuerza y luz; ...sofferte onde serene...". In this album, this song's track order is #2. Como una ola de fuerza y luz: 1. Interno dolce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Como una ola de fuerza y luz: 1. Interno dolce by Luigi Nono, Slavka Taskova, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Volon | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
Chamber Concerto for Piano and Strings - Toccata | David Joseph, Melbourne Chamber Orchestra, Michael Kieran Harvey, Spiros Rantos | D♭ Major | 6 | 3B | 127 BPM | ||
Intolleranza 1960 (Sung in German): Act I Scene 4: Auf einem Polizeiburo - Verhor einiger Verhafteter (Policemen, Emigrant, Woman, Voice of Alleg) | Luigi Nono, Wolfgang Neumann, Maria Kowollik, Judy Berry, Ina Schlingensiepen, Armin Kolarczyk, Bart Driessen, Anne-Katrin Auch, Wolfgang von Borries, Heinrich Brockerhoff, Achim Rikus, Bremen Theatre Chorus, Bremen Theatre Extra Chorus, Bremen Philharmonic Orchestra, Gabriel Feltz | E Minor | 1 | 9A | 84 BPM | ||
Aracnofobia | Alessandro Gozzo, Cats Rule the World | A Minor | 1 | 8A | 82 BPM | ||
Stundenbuch : No. 36 | Hans Otte | C Major | 0 | 8B | 0 BPM | ||
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Jackson Pollock (1950-51) for two Cellos: II Pollock Paints | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
St. Luke Passion: Part I: Ierusalem (Lamentation of Jeremiah) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 107 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM |
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