George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle made "Giulio Cesare (Act 2): Che sento? oh Dio!" available on October 22, 2021. With Giulio Cesare (Act 2): Che sento? oh Dio! being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 2 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare (Act 2): Che sento? oh Dio! is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Giulio Cesare (Act 2): Che sento? oh Dio! by George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Messa di Gloria: II. Christe eleison | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Lawrence Brownlee, Michael Spyres | B Minor | 1 | 10A | 73 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM | ||
Ah Perfido!, Op. 65: "Ah, Perfido!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | B♭ Major | 1 | 6B | 95 BPM | ||
Va, ché l'hai fatto a me | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 3: No. 6, Aria, "Io le diro che l'amo … Tu le dirai che l'ami" (Serse, Arsamene) | George Frideric Handel, William Christie | F♯ Major | 1 | 2B | 75 BPM | ||
Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM | ||
Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Pure del cielo intelligenze eterne" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 94 BPM | ||
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Carmen, WD 31 / Act 3: En vain pour éviter les réponses amères | Georges Bizet, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Janos Kulka | D Major | 2 | 10B | 84 BPM |
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