Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Anthony Laciura, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine's ' "La traviata / Act 2: "Di Madride noi siam mattadori"" was released on its scheduled release date, January 1, 1992. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. La traviata / Act 2: "Di Madride noi siam mattadori"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink, Richard Wagner, Gerard Schwarz, Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #3 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. La traviata / Act 2: "Di Madride noi siam mattadori" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since La traviata / Act 2: "Di Madride noi siam mattadori" by Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Anthony Laciura, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: "Di Madride noi siam mattadori" being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 137 BPM | ||
Don Carlo: Act III Scene 2: Son io, mio Carlo (Rodrigo, Don Carlo) | Giuseppe Verdi, Cesare Siepi, Angelo Lo Forese, Ettore Bastianini, Giulio Neri, Paolo Washington, Anita Cerquetti, Fedora Barbieri, Liliana Poli, Enzo Guagni, Alberto Lotti-Camici, Iselle Favati, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Antonino Votto | C Major | 1 | 8B | 81 BPM | ||
Verdi: Aida, Act 1: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E Minor | 2 | 9A | 68 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM | ||
Puccini: Tosca, Act 1 Scene 5: "Mia gelosa!" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Il lacerato spirito (Simon Boccanegra) | Ezio Pinza, Metropolitan Opera Chorus, Metropolitan Opera Orchester | F♯ Major | 1 | 2B | 91 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… | Renata Scotto, Luciano Pavarotti | A♭ Major | 0 | 4B | 167 BPM | ||
Cavalleria rusticana, IPM 4, Act I: "Viva il vino spumeggiante" (Turiddu, Coro, Lola) | Pietro Mascagni, Metropolitan Opera Orchestra, Dimitri Mitropoulos, Daniele Barioni, Metropolitan Opera Chorus, Rosalind Elias | G Major | 4 | 9B | 80 BPM |