"Very Warm for May: All the Things You Are (arr. J. Morris for voice and chamber ensemble)" by Jerome Kern, John Morris, Jay Harnick, John Morris Trio was released on August 1, 2014. The duration of Very Warm for May: All the Things You Are (arr. J. Morris for voice and chamber ensemble) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Very Warm for May: All the Things You Are (arr. J. Morris for voice and chamber ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jerome Kern, Various Artists's "Melodies of Jerome Kern: The 1955 Walden Sessions" album is number 3 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Very Warm for May: All the Things You Are (arr. J. Morris for voice and chamber ensemble) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Very Warm for May: All the Things You Are (arr. J. Morris for voice and chamber ensemble) by Jerome Kern, John Morris, Jay Harnick, John Morris Trio to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All the Things You Are - From "Very Warm for May" | Jerome Kern, Renée Fleming, Dan Tepfer, Christian McBride, Carl Allen | E♭ Major | 1 | 5B | 138 BPM | ||
Rodgers / Arr. Powell: You'll Never Walk Alone (From "Carousel") | The John Wilson Orchestra, John Wilson | B♭ Major | 1 | 6B | 69 BPM | ||
An Affair to Remember | Emile Pandolfi | F Major | 1 | 7B | 98 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
Favorite Theme From Rachmanioff's Second Piano Concerto | Ray Conniff | B♭ Major | 1 | 6B | 120 BPM | ||
Comic Cake Walk | Robert Vollstedt, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | F Major | 1 | 7B | 92 BPM | ||
Friendly Persuasion (Thee I Love) | Ronnie Aldrich | C Major | 2 | 8B | 82 BPM | ||
I Want to Sing in Opera | Jerome Kern, Anne Sciolla, Brian Kovach | C Major | 1 | 8B | 139 BPM | ||
The High And The Mighty: Suite | Dimitri Tiomkin | B Major | 3 | 1B | 86 BPM | ||
Judy's Theme | George Martin, Berlin Music Ensemble, Craig Leon | F♯ Minor | 2 | 11A | 85 BPM |
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