"The High And The Mighty: Suite" by Dimitri Tiomkin was released on January 1, 2005. Since The High And The Mighty: Suite is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The High And The Mighty (A Century Of Flight)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The High And The Mighty: Suite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The High And The Mighty: Suite by Dimitri Tiomkin having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Title - From "The Color Purple" Soundtrack | Quincy Jones | D Major | 2 | 10B | 91 BPM | ||
Camelot: Overture | Frederick Loewe, The Camelot Orchestra, Franz Allers | E Minor | 3 | 9A | 75 BPM | ||
Bene Kisses Giola | Dimitri Tiomkin | D♭ Major | 2 | 3B | 93 BPM | ||
West Side Story: Act I: Intermission Music | Leonard Bernstein, Johnny Green, West Side Story Orchestra | A♭ Major | 3 | 4B | 114 BPM | ||
In My Room | Hollyridge Strings | D♭ Major | 3 | 3B | 178 BPM | ||
The Girl from Corsica | Ron Goodwin | G Minor | 4 | 6A | 76 BPM | ||
Theme From "Murder On The Orient Express" | Andre Kostelanetz | C Major | 5 | 8B | 141 BPM | ||
Contempt Farewell | David Snell | E♭ Major | 3 | 5B | 109 BPM | ||
Solace - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | F Major | 2 | 7B | 107 BPM | ||
Here's To The Ladies | Dimitri Tiomkin | B♭ Major | 2 | 6B | 125 BPM |
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